Wednesday, July 18, 2012



For the Museum of Modern Art’s film benefit on November 15 in
New York, the celebrity arrivals backdrop wasn’t a step-and-repeat
of logos but rather a wall of 20,000 fresh crimson-colored roses.
Photo: Jika González/BizBash



For the opening of New Balance’s first experience store in New York
in August, the red carpet backdrop at the V.I.P. preview incorporated
real running shoes mounted to a wall printed with the shoe brand’s logo.
Photo: Jeeyun Lee/BizBash



Absolut launched a 2011 limited edition bottle on December 1 at
Toronto’s TIFF Bell Lightbox. The step-and-repeat employed shelves
 holding dozens of the new bottles.
Photo: Sonia Recchia/Pimentel Photo


During the VitaminWater Rooftop series during the Toronto International
Film Festival in September, the Mint Agency created a step-and-repeat
 that displayed sponsor logos in antique frames.
Photo: Euan Lampitt of the Mint Agency



As guests entered the Metropolitan Museum through the Great Hall,
they met a 24-foot-tall cylinder covered in 40,000 roses—only one-fifth
of the total number of roses at the gala—with a large-scale lip pattern inspired
by Schiaparelli and Prada designs. A total of 200,000 stems of red and
white roses, shipped in from Colombia and Ecuador, went into the arrangement.
A team of 150 staffers worked to prepare the floral decor.
Photo: BFAnyc.com


-BizBash



3-D Backdrops

For the Museum of Modern Art’s film benefit on November 15 in New York, the celebrity arrivals backdrop wasn’t a step-and-repeat of log...

Wednesday, July 11, 2012



Playing off the mobile of paper butterflies hanging above David Stark's 
literary-themed Benjamin Moore table, guests' names were laser cut onto 
book pages cut into the shape of butterflies.



RDYC Interior Design and Architectural Development placed miniature floral 
arrangements at each of their table's four place settings.




Gold flatware was a popular choice for many designers. A strong
gold-and-black color scheme, with gold chargers and utensils,
and opaque black glasses.



The clear glass plates at shabby-chic table sat atop beds of fabric roses.


A conceptual table around the myth of Pandora's Box. After Pandora 
released the evils of the world, the only spirit remaining in her jar was Hope, 
so glowing "Hope" jars sat at each place setting, with a paper tags that read 
"Please share me."

The Domoore Designs table incorporated river rock place mats and 
place cards tucked inside seashells.

For the Ethan Allen table, striped napkins were stuffed into bowls
and topped with fabric daisies.

The table settings at the Herman Miller space had a retro 1950s look.
Place cards were attached to wooden tops with twine.

Photos: Ronnie Andren for BizBash



Unique Place Setting and Place Card Ideas

Playing off the mobile of paper butterflies hanging above David Stark's  literary-themed Benjamin Moore table, guests' names ...

Sunday, June 17, 2012

COOL SHOOTERSâ„¢<br>THE FILL AND CHILL SHOT GLASS MOULD<br>Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen shot glasses. A great way to enjoy your favourite sip!<br>RM59.90

THE FILL AND CHILL SHOT GLASS MOULD Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen shot glasses. A great way to enjoy your favourite sip!


CAOMARU : VEGE<br>STRESS BALL<br>A new addition to the Caomaru family! Caomaru Vege comes in 3 funny and adorable shapes. Tomato, Green Pepper and Eggplant. <br>RM105.90
STRESS BALLS A new addition to the Caomaru family! Caomaru Vege comes in 3 funny and adorable shapes. Tomato, Green Pepper and Eggplant.


FOLIO<br>TISSUE CASE<br><b>Folio</b> means to *fold in two* Tissue boxes tend to take up a lot of room, but folding them in half helps them use less space.<br>RM85.00
TISSUE CASE Folio means to *fold in two* Tissue boxes tend to take up a lot of room, but folding them in half helps them use less space.


CUPMEN 4 : TWINS<br>LID HOLDER<br>We've got twins! A new addition to the Cupmen family, Cupmen 4 : Twins introduces a pair of adorable wins hanging on to the lid of your cup noodles.<br>RM39.90
LID HOLDER Cupmen  : Twins introduces a pair of adorable twins hanging on to the lid of your cup noodles to let you know once it's ready to eat!


UKIHASHI<br>FLOATING CHOPSTICKS<br>Chopsticks that don't need a chopstick rest. Since the ends are raised, the tips won't touch the table when they're set down. You may be able to kick the habit of placing your chopsticks across your plate in the middle of a meal. Dishwasher safe. Colour: Red, Pink, White, Yellow, Green Tea, Brown, Deep Purple, Navy.<br>RM39.90
FLOATING CHOPSTICKS Chopsticks that don't need a chopstick rest. Since the ends are raised, the tips won't touch the table when they're set down. You may be able to kick the habit of placing your chopsticks across your plate in the middle of a meal. Dishwasher safe. Colour: Red, Pink, White, Yellow, Green Tea, Brown, Deep Purple, Navy.


TUBE DOOR STOPPER<br>This fun little tube-shaped doorstop, though small, holds doors firmly in place. Comes in an array of colors that will appeal to various tastes.<br>RM28.90
TUBE DOOR STOPPER This fun little tube-shaped doorstop, though small, holds doors firmly in place. Comes in an array of colors that will appeal to various tastes.


ICEATTACKS!™ <br>UNIDENTIFIED FROZEN OBJECTS<br>It’s an Ice Attack! These UFO- and meteor-shaped ice cubes have popped free of their silicone ice tray in a galaxy far, far away to coldly go where no ice has gone before. Colorful giftbox packaging.<br>RM39.90





















UNIDENTIFIED FROZEN OBJECTS It’s an Ice Attack! These UFO- and meteor-shaped ice cubes have popped free of their silicone ice tray in a galaxy far, far away to coldly go where no ice has gone before. Colorful giftbox packaging.



PICK YOUR NOSE™ <br>PARTY ANIMALS<br>Calling all party animals! Here are the perfect beverage cups to let you express your inner beast! Drinking from these double-coated durable 9 ounce cups turns anybody’s nose into something WILD. Perfectly sized for both kids and adults, each clear box of Pick Your Nose/Party Animals includes 24 cups in 6 assorted animal styles.<br>RM37.90

PARTY ANIMALS Calling all party animals! Here are the perfect beverage cups to let you express your inner beast! Drinking from these double-coated durable 9 ounce cups turns anybody’s nose into something WILD. Perfectly sized for both kids and adults, each clear box of Pick Your Nose/Party Animals includes 24 cups in 6 assorted animal styles.





Cool Event Gifts

THE FILL AND CHILL SHOT GLASS MOULD Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen sho...



SAP’s 2011 Sapphire Now conference in Orlando created a networking lounge on the show floor where attendees could view the keynote addresses on 18- by 60-foot screens while getting work done.
Photo: Randy Belice/SAP AG


Technology has removed the four walls that traditionally housed events in one space, at one time. Now hybrid is hot. The term has come to refer to an event that offers both an in-person component and at least some of its content live via the Internet to groups of attendees participating from organized satellite locations or to individuals at home or work. The growth of hybrid events has been driven by society’s increasing adoption of technology and also by economic factors: greater competition in the technology industry is driving costs down, coupled with reductions in corporate travel budgets.

Whether it’s a big, international conference, such as SAP’s Sapphire Now that creates elaborate broadcast studios on its show floor, or a small, internal corporate meeting that may only use one camera, the purpose of a hybrid event remains the same: to engage participants—both in-person and those attending virtually—in a meaningful experience while staying on budget.

Here are 10 production tips to keep in mind to create a successful hybrid event.

1. Quality audio is paramount. Weak sound or static will be even more annoying to remote attendees than to those in the room. “That cuts down on your engagement,” says Samuel J. Smith, C.E.O. of Interactive Meeting Technology, a Minnesota company that specializes in the design, production, and execution of interactive technology for events. Also consider whether the remote audience needs to be able to hear people other than the main presenter. “If a person asking a question doesn’t have a microphone, the virtual audience can’t hear it. That will be a big downside. They will hear some dead air and then hear the presenter answer and have no idea what he is referring to,” says Dennis Shiao, director of product marketing for INXPO, a Chicago-based company that provides online destinations for events, recruiting, training and communications.

2. Purchase enough bandwidth. Internet bandwidth determines how much data can be transmitted and at what speed; for the virtual audience it determines how your event looks and feels. Without enough bandwidth, the virtual audience will see low-quality video—the signal may drop out or require continual buffering—which can be frustrating for virtual attendees. In most cases, planners purchase bandwidth from the venue, which usually has an exclusive arrangement with a bandwidth provider. While this is not a place to skimp, look for opportunities to negotiate the cost in the same way you negotiate the cost of space. Also keep in mind that bandwidth requirements are directly related to how many sessions are being streamed at the same time: three sessions going out at once require three times as much bandwidth. Once you are on-site, verify that you are getting what you are paying for by using one of the many Web sites that offer a free, instant measurement of Internet upload and download speeds, such as InternetFrog and Bandwidth Place.

3. Determine the number and type of cameras needed. Start by determining which sessions will be streamed. For a conference with sessions in multiple rooms, planners can cut down on the number of cameras and operators needed by scheduling the sessions to be streamed at different times so the same room can be used over and over. A hybrid event needs at least one fixed camera, but (if the budget allows) multiple cameras per session are preferable because different angles and shots can help keep the virtual audience engaged. As for the type of cameras, Smith says even if your event will not be streamed in high-definition, it may be worth using high-definition cameras so videos produced from the event will be top-quality. If that is not a concern, the choice of camera can be one way to save money. “In a pinch, I used our family’s old digital video tape camcorder and it was just fine,” says Midori Connolly, C.E.O. and chief AVGirl of California-based Pulse Staging and Events, an audiovisual staging company.

4. Vendors need to communicate with one another. A hybrid event can involve multiple service providers, such as the company running the audio and video in the room, the information technology team from the venue, a webcasting provider, and possibly a virtual platform provider. “Anybody who is touching the experience needs to be talking to one another,” says John Pollard, event services program director at Sonic Foundry, a Wisconsin company that created Mediasite, a platform for hybrid events, webcasting and lecture capture. “These people need to know who the contact is for each other, then they can ask the right questions and take care of a lot of the issues [for the planner].”

5. Stream for all devices. Mobile has become increasingly important, so you’ll need to make sure your vendor’s streaming capabilities work on iOS and Android mobile devices. “You send one stream, which is a Flash stream, for desktop browsers and Android devices, but you have a second stream, which is iOS, for iPhone and iPad,” says Gregg Greenberg, director of global online marketing strategy for SAP, a German business management software company that hosts the annual Sapphire Now conference, a hybrid event with multiple satellite locations worldwide. An event’s webcasting company can create appropriate solutions to handle different types of streams.

6. Test the stream. According to Greenberg, SAP runs two tests for Sapphire Now and its other hybrid events: one the day before (optimally at the same time of day that the event will take place) and a second one about 90 minutes before the first live shot. “The live stream will be on but we will play a recorded video,” he says. “Then, about 10 to 15 minutes before the live shot, we switch to a room shot. That gives us time to fi x things.” Greenberg also recommends running at least two encoders—the equipment that compresses audio and video so it can transmit over the Internet—in case one fails.

7. Plan to engage the virtual audience. If speakers will use slides or videos in presentations, how will they be shared with the remote audience? Do they need to be prerecorded or uploaded prior to the live presentation? In an optimal situation, the audio and video are linked two ways. That is, attendees at the physical event can see and hear all of the remote audiences and vice versa. When that is not possible, due to budget or production constraints, the priority should be that all remote attendees can see and hear the physical event, and that they can submit comments and questions, usually via text or Twitter. Experts also recommend planners develop content specifically for the remote audience, which can be used to fill time when the physical event is on break and to develop camaraderie among the virtual attendees. A virtual M.C. can also help by serving as a host and guide for people participating online or from pods.

8. Make sure speakers talk to the virtual audience. Not only should all speakers be aware of the virtual audience, but they should greet them at the start of the event and several times thereafter. “One fun thing to do is to tape a smiley face to the camera to remind the speaker to address the remote audience [since] a lot of presenters are trained to not look into the camera,” Connolly says. And when a question comes in from a remote attendee, the presenter should acknowledge who and where it is from. “People love to hear their name,” Smith says. “It makes them feel good, and especially if they are home alone and they don’t have people to connect with in the hallway.”

9. You don’t have to do it all. “You will never be able to fully capture and provide the face-to-face experience to a Web audience,” Shiao says. “It’s a matter of figuring out how to properly narrow the scope.” Planners should expect that most people participating in a hybrid event prefer to allocate a few hours, not an entire day, to the experience. “Face-to-face you can keep people all day,” says Corbin Ball, a Washington-based consultant who helps clients determine how to use technology effectively for events. “With virtual or hybrid events you can’t expect people to be sitting at a monitor all day long as they would be sitting in a meeting room. So you need to provide blocks of time with white space around it.”

10. Focus on the meeting’s objectives. “The most important thing to keep in mind is figuring out what technologies make the most sense to achieve the event’s particular goals,” says Mary Boone, a Connecticut-based consultant who works with clients on organizational communication and meeting design. “A lot of times that gets lost in the excitement of experimenting with new technology.” She recalls a meeting of 200 senior association executives where planners created an app intended to be used by attendees to submit questions to the presenters, only to find that most preferred to ask questions aloud. “Whatever technology or audiovisual [equipment] you are using, all of it should be in service of making the meeting more effective, and not just for the wow factor,” Boone says.

By Mitra Sorrells | Posted May 9, 2012, 3:43 PM EDT

Hybrid Events: 10 Tips for Effective Audiovisual Presentation

SAP’s 2011 Sapphire Now conference in Orlando created a networking lounge on the show floor where attendees could view the keynote addr...

Thursday, May 31, 2012
















Parisian-style boulevard with lampposts, painted illustrations of buildings, and
trees surrounded by benches.
Photo: Nilaya Sabnis








Details for both shows from Tommy Hilfiger included gates branded with
the designer’s initials set in iron and a square-shaped brick runway bordered
with gravel and artificial maple trees.
Photo: Dimitrios Kambouris/WireImage
FROM Fashion Week: Tommy Hilfiger Builds Indoor Park February 14, 2012



Digital screens, including a retractable LED chandelier that draped the stage,
displayed images such as the Eiffel Tower emblazoned with YMCMB
(Young Money Cash Money Billionaires) logos. And 14-foot
white cherry blossom trees stood sentry.
Photo: Adrian Sidney/PictureGroup
FROM Grammy Parties: Photos From the Recording Academy, Clive Davis,
Cash Money, Belvedere, Pepsi, and More February 13, 2012


Real tree branches and miniature faux tree centerpieces were part of the garden motif.
Photo: Lucien Capehart
FROM Palm Beach Heart Ball Debuts Heart-Healthy Theme With Fruit, Vegetable
Decor February 22, 2012




With less than three hours for set up, David Beahm and his team converted
 Saks Fifth Avenue's third floor into a veritable garden of Eden.
Photo: Jeff Thomas/ImageCapture
FROM A Forest of Flora Marks Launch of Louis Vuitton's Saks Boutique
November 12, 2009



For additional seating, plush velvet couches lined both sides of the cocktail area.
Candles and small plants decorated the tops of the mirrored tables.
Photo: Nadia Chaudhury/BizBash
FROM High Line Benefit Turns Indoor Pier Into Sun-Filled Garden,
Raises $3 Million May 4, 2012





Long, communal tables and lounge-like configurations provided more relaxed
seating on the upper level. For centerpieces, the designer incorporated
square-shaped canopies, illuminated by candles that hung from the leaves in
glass cylinders. Gift bags from sponsor Cartier were placed on guest's seats
prior to the start of the event.
Photo: Nadia Chaudhury/BizBash
FROM MoMA's Party in the Garden Brings Greenery Indoors May 24, 2012

-BizBash





Bringing the Outdoors Inside

Parisian-style boulevard with lampposts, painted illustrations of buildings, and trees surrounded by benches. Photo: Nilay...

Tuesday, February 7, 2012










Susan Holland events used disco ball lights and projected French surrealist films, while a swing 

hung near the dance floor for a 40th birthday party. Photo: Jamie Watts






Ritzy Bee Events used craft paper and chalk to label the passed appetizers for a 
rehearsal dinner at the Decatur House in Washington so guests wouldn’t be left guessing.
Photo: Kate Headley Photography




Great for DIY parties with tight budgets.
 Photo: Elsie Larson/elsiecake.com



Recreate newlyweds’ hometown with a hand-painted backdrop. Lighting and real 
trees help the scene come to life.
Photo: Shiprapanosian.com






Bryn Chernoff of Paperfinger created custom calligraphy stamps of each 
guest’s name, which doubled as place cards and favors at a private dinner party 
held at the Foundry in New York.
Photo: Jen Huang Photography



-BizBash

Cool Ideas for Your Next Social Event

Susan Holland events used disco ball lights and projected French surrealist films, while a swing  hung near the dance floor...

Tuesday, January 17, 2012


Come to the 1920's Mafia Murder Mystery Party this 17 February 2012!

 

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