Friday, August 10, 2012




When planning an event, especially as a rookie, you might not understand the terms used or questions asked by the event planner or venue and F&B provider. So here are some tips to help you when planning your next event.

Space Configurations

The amount of space your event needs will depend on the type of function you’re hosting and corresponding room layout, e.g., theater, classroom, banquet, or reception. 

Theater — Plan for 8 square feet per person if no AV presentation is involved. If AV will be used, increase the space to 10 square feet per person. Theater setups allow you to pack the most people into the smallest space, and are fine if attendees won’t be taking a lot of notes and sessions are short.

Classroom — Allot 12 square feet per person if you want three people per 6-foot table, or 18 square feet for two people per 6-foot table, allowing 44 inches between each row of tables. For classroom configurations with AV, plan a minimum of 15 square feet per person. Classroom setups are better for serious training sessions or when people need room to take notes.

Banquet and Reception — Banquets and most receptions with a bar (or multiple bars) and standard buffet tables require 10 to 12 square feet per person. Banquet rounds are best for in-depth, small-group discussions, and they allow for quick room reset for food functions. 

Food and Beverage Needs 

Having the right mix of cold and hot beverages is key to keeping attendees happy and hydrated. Take these averages into account when placing your beverage order.

Coffee, Tea, and Soda — Average consumption of beverages in the morning will be roughly 65 percent hot (coffee and tea) and 35 percent cold (juice, iced tea, and soda). In the afternoon, beverage consumption will average about 65 percent cold and 35 percent hot. Coffee and hot water for tea are purchased by the gallon, which equals about 128 ounces and produces roughly 20 6-ounce cups. 

Snacks — Buy cookies, pastries, and brownies by the dozen rather than per person as it’s cheaper to buy in bulk. Or, if it’s something that’s individually wrapped, like granola bars or yogurt, buy on consumption. 

Alcohol Estimations 

While you certainly don’t have to serve alcohol at your event, it’s quite common to have at least wine and beer on tap — especially at evening affairs. Consider these rules of thumb to help keep your attendees satiated, but not sloshed.

Wine — A 750 milliliter (mL) bottle of wine contains 25.4 ounces. For each bottle of wine, you’ll get about four-and-a-half 6-ounce servings, or five 5-ounce servings.

Beer — A keg of beer holds 1,984 ounces, which equals about 165 12-ounce servings. 

Liquor — A standard bottle of 80-proof distilled spirits (such as vodka, rum, gin, or tequila) holds 750 mL, or 25.4 ounces, and pours approximately 17, 1.5-ounce shots. If your bartender is using 1-ounce pours (known as a “short shot” or “pony shot”), a bottle will yield up to 25 drinks. To keep costs down (and drinks conservative), instruct your bartenders to use a measured shot glass rather than free pouring. Also negotiate to purchase liquor by the bottle rather than by the drink. It will be cheaper in the long run to buy the liquor for 20 to 25 drinks in one bottle rather than paying per drink — just like buying a keg of beer is cheaper per glass than buying individual bottles or cans. Agree up front with the catering manager on a system for auditing the used and unused bottles of liquor before and after the event.

In addition to these serving rules of thumb, also consider the following stats regarding alcohol consumption, which typically varies depending on the environment in which it’s served.

Cash Bar — Average consumption for a one-hour party with a cash bar (where guests are purchasing their own drinks) is 1.5 drinks per person. While a cash bar might seem like a more cost-effective option for event planners since attendees are purchasing their own drinks, keep in mind that you are still responsible for the cost of the bar setup, any necessary labor, and the bartender (and possibly a bar-back helper). 

Open Bar — Conventional wisdom will tell you that free drinks flow more, well, freely. And you’re right. Average alcohol consumption at a one-hour “open” or “hosted” bar is 2 to 2.5 drinks per person.

Reception — If you sponsor a post-conference reception with a cash bar, 50 percent of the crowd will stay for the reception, averaging about 1.5 drinks per person. If it’s a hosted bar at a cocktail hour, 80 percent of the conference crowd will stay for the reception, consuming an average of 2.25 drinks per person in the first hour and 1.5 drinks in the second hour. Here again, you’ll want to purchase sodas and beer on a consumption-only basis (rather than a per-person basis), paying only for what is used.

Dinner — If you’re hosting a dinner, serve three bottles of wine (two white and one red) for each table of eight people, as one bottle of wine yields about five glasses. 

Below-the-Line Costs

It’s important to understand the below-the-line costs of your event, beyond the basic charges. You may be surprised to find up to an additional one-third of your bill comprises administrative fees, service charges, and mandatory gratuities, plus local and state taxes. 

Gratuities — A gratuity can be a tip or mandatory percentage of the basic charges. Depending on local tax laws, a gratuity may or may not be taxable. The way in which gratuity is distributed can be specified in your event contract with the venue. A rule of thumb for event-gratuity payments is 1.5 percent to 2 percent of the total event bill. You can have this amount added to your master account and distributed to preselected banquet and bar staff, or you can distribute it yourself to make sure the appropriate people receive it.

Tips — A tip is a small sum of money given voluntarily and directly to someone above and beyond a standard charge (generally for performing a service or task). Tips range from 15 percent for average service to 20 percent or more for exemplary service, and are awarded to waitstaff, housekeeping staff, and other service personnel at your discretion.

Administrative Fees — Sometimes called a service charge or service fee, an administrative fee is an automatic and mandatory amount added to food and beverage charges by the service provider. It is typically calculated as a percentage of the total, and is usually used to defray the cost of labor and equipment. Generally speaking, these charges fall somewhere in the 18-percent to 23-percent range. 

Note that sometimes, these administrative fees, taxes, and surcharges are not included in your quote. So ask if menus are available with “inclusive pricing,” or pricing that includes both taxes and gratuity. If you see a “++” after the cost on a menu, it means “plus tax and plus gratuity.” Also, ask what foods, beverages, and services are taxable and at what percentage. For example, some states and cities charge tax on alcoholic beverages, but not on food or nonalcoholic beverages. You’ll want to know the figure on which your gratuity or service charge is based, as well. 

Possible Perks

When negotiating perks with a venue, be prepared to answer questions about previous meetings you’ve planned, anticipated attendance, projected attendance at meal and beverage functions, the estimated number of room nights you’ll require, and your space requirements for meeting rooms. Your leverage depends on all of those things, as well as the type of facility you’re dealing with and the dates of your event. 

Calculating Event-Registration Fees
To determine your event’s registration fee (RF), divide your fixed costs (FC) by the number of anticipated attendees (AA) and add your variable costs per person (VC/P). 

Example: If the fixed cost for your event is RM200,000, the variable cost per person is RM500, and you anticipate 1,000 attendees, the registration fee should be RM700.

The formula is: 
(FC/AA) + (VC/P) = RF
(200,000 / 1,000) + RM500 = RM700 


If you’re planning your event when everyone else wants to be at that particular venue, it’s “high season,” which means higher prices. On the other hand, if your event occurs during a time of year when monsoons  are common, it might be “off season,” which translates to better overall pricing. Bottom line, if your event fills a “hole” in the venue’s schedule, it will be more flexible on other pricing. 

Regardless of when your event takes place, you can usually negotiate one complimentary room for each 35 to 50 cumulative room nights during your event. Stipulate in your contract that the total number of rooms used is cumulative through your entire event, not calculated daily — and that it includes your guests’ early arrivals and late departures — and that all rooms used by your group, regardless of how they were booked (i.e., through the Internet or a travel agent) count toward your total room count. You can also request staffers’ rooms and speakers’ rooms at a lower rate (or with upgrades). Other negotiable perks include resort and health-facility use, complimentary cocktail parties, parking waivers, free Internet or business-center use, complimentary airport transportation, and reductions or waivers for the cost of parking, meeting rooms, or exhibit space. 

By having these formulas and rules of thumb to reference, you’ll be at the head of the class when it comes to planning your next hospitality event. After all, knowledge is power.

-Candy Adams for Exhibitor Magazine with modifications by Best Events

Hospitality Rules of Thumb

When planning an event, especially as a rookie, you might not understand the terms used or questions asked by the event planner or ve...

Thursday, August 9, 2012



Drawing on the ethereal, ghostly set of the famous ballet, designer 
Bill Heffernan of HMR Design Group brought a moonlit-forest look 
to the tent that housed the ensuing gala in Millennium Park. Large, 
transparent cubes decorated with projected branch patterns hung 
overhead in the dining space, while ferns and white freesia topped the tables.
Photo: Bob Carl

In the Hamptons, the Parrish Art Museum's Midsummer Party included
dinner in an ornate tent. Overhead, a leafy projection and twinkling
rope lights contrasted with a more high-tech lighting rack, which
produced a dancing effect.
Photo: Patrick McMullan/PatrickMcMullan.com



The National Ballet of Canada celebrated its 60th anniversary
in June. During the reception, which had a specialty vodka cocktail
called "Diamonds in the Skyy," ballerinas danced and stretched casually
amid the guests.
Photo: Gary Beechy



For the City of Hope "Spirit of Life" gala in Los Angeles, Namevents
turned a parking lot adjacent to Geffen Contemporary at MOCA into
a dinner space meant to evoke a high-end nightclub. Guests sat in
lounge areas with plush couches and blankets, and dinner was served
on glass tables with programmable LED bases. On some tables,
tall glass vases designed by Chris Matsumoto were filled with water
and stones in colors that echoed the hues on the invitation.
Photo: Line 8 Photography.



The event this year drew inspiration for its theme from Cleopatra,
the subject of 'Cleopatra: The Exhibition.' A troupe processed through
 the dining room to announce a feast hosted by Mark Antony and Cleopatra,
also known as dinner.
Photo: Nadine Froger Photography



With a Night at the Museum theme, the event had an area dedicated
to all things ancient Egypt, including pyramids, a Sphinx, and hieroglyphics.
Photo: Christie's Photographic Studios



To honor the 150th anniversary of Lewis Carroll’s classic story, the
19th annual Canadian Cancer Society fund-raiser brought a surreal
and upscale version of the tale to life. The design for the dining room
 included five different table styles, seven linen combinations,
 three types of chairs, and four colors of chair cushions.
Photo: Alexandre Chéron





Thematic catering at the Daffodil Ball included soup served
from a teapot. An edible pocket watch crust rested on top.
Photo: Fahri Yavuz



The evening had decor with towering paper centerpieces in the shapes
of flowers, windmills, and airplanes. Artist and illustrator Jami Darwin Chiang
constructed the paper pieces.
Photo: Josh Sears



Decor here included plush white lounge furniture, hanging chandeliers, and topiaries.
Photo: Peter Peck Field


Long, communal tables and lounge-like configurations provided

more relaxed seating on the upper level. For centerpieces,
designer David Monn incorporated square-shaped topiaries,
illuminated by candles that hung from the leaves in glass cylinders.
Photo: Nadia Chaudhury/BizBash






A tunnel of silver balloons from Balloons by Tommy.
Photo: Joseph R. Palmer

-BizBash






Spring/Summer Event Touches

Drawing on the ethereal, ghostly set of the famous ballet, designer  Bill Heffernan of HMR Design Group brought a moonlit-forest look ...

Wednesday, July 18, 2012



For the Museum of Modern Art’s film benefit on November 15 in
New York, the celebrity arrivals backdrop wasn’t a step-and-repeat
of logos but rather a wall of 20,000 fresh crimson-colored roses.
Photo: Jika González/BizBash



For the opening of New Balance’s first experience store in New York
in August, the red carpet backdrop at the V.I.P. preview incorporated
real running shoes mounted to a wall printed with the shoe brand’s logo.
Photo: Jeeyun Lee/BizBash



Absolut launched a 2011 limited edition bottle on December 1 at
Toronto’s TIFF Bell Lightbox. The step-and-repeat employed shelves
 holding dozens of the new bottles.
Photo: Sonia Recchia/Pimentel Photo


During the VitaminWater Rooftop series during the Toronto International
Film Festival in September, the Mint Agency created a step-and-repeat
 that displayed sponsor logos in antique frames.
Photo: Euan Lampitt of the Mint Agency



As guests entered the Metropolitan Museum through the Great Hall,
they met a 24-foot-tall cylinder covered in 40,000 roses—only one-fifth
of the total number of roses at the gala—with a large-scale lip pattern inspired
by Schiaparelli and Prada designs. A total of 200,000 stems of red and
white roses, shipped in from Colombia and Ecuador, went into the arrangement.
A team of 150 staffers worked to prepare the floral decor.
Photo: BFAnyc.com


-BizBash



3-D Backdrops

For the Museum of Modern Art’s film benefit on November 15 in New York, the celebrity arrivals backdrop wasn’t a step-and-repeat of log...

Wednesday, July 11, 2012



Playing off the mobile of paper butterflies hanging above David Stark's 
literary-themed Benjamin Moore table, guests' names were laser cut onto 
book pages cut into the shape of butterflies.



RDYC Interior Design and Architectural Development placed miniature floral 
arrangements at each of their table's four place settings.




Gold flatware was a popular choice for many designers. A strong
gold-and-black color scheme, with gold chargers and utensils,
and opaque black glasses.



The clear glass plates at shabby-chic table sat atop beds of fabric roses.


A conceptual table around the myth of Pandora's Box. After Pandora 
released the evils of the world, the only spirit remaining in her jar was Hope, 
so glowing "Hope" jars sat at each place setting, with a paper tags that read 
"Please share me."

The Domoore Designs table incorporated river rock place mats and 
place cards tucked inside seashells.

For the Ethan Allen table, striped napkins were stuffed into bowls
and topped with fabric daisies.

The table settings at the Herman Miller space had a retro 1950s look.
Place cards were attached to wooden tops with twine.

Photos: Ronnie Andren for BizBash



Unique Place Setting and Place Card Ideas

Playing off the mobile of paper butterflies hanging above David Stark's  literary-themed Benjamin Moore table, guests' names ...

Sunday, June 17, 2012

COOL SHOOTERSâ„¢<br>THE FILL AND CHILL SHOT GLASS MOULD<br>Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen shot glasses. A great way to enjoy your favourite sip!<br>RM59.90

THE FILL AND CHILL SHOT GLASS MOULD Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen shot glasses. A great way to enjoy your favourite sip!


CAOMARU : VEGE<br>STRESS BALL<br>A new addition to the Caomaru family! Caomaru Vege comes in 3 funny and adorable shapes. Tomato, Green Pepper and Eggplant. <br>RM105.90
STRESS BALLS A new addition to the Caomaru family! Caomaru Vege comes in 3 funny and adorable shapes. Tomato, Green Pepper and Eggplant.


FOLIO<br>TISSUE CASE<br><b>Folio</b> means to *fold in two* Tissue boxes tend to take up a lot of room, but folding them in half helps them use less space.<br>RM85.00
TISSUE CASE Folio means to *fold in two* Tissue boxes tend to take up a lot of room, but folding them in half helps them use less space.


CUPMEN 4 : TWINS<br>LID HOLDER<br>We've got twins! A new addition to the Cupmen family, Cupmen 4 : Twins introduces a pair of adorable wins hanging on to the lid of your cup noodles.<br>RM39.90
LID HOLDER Cupmen  : Twins introduces a pair of adorable twins hanging on to the lid of your cup noodles to let you know once it's ready to eat!


UKIHASHI<br>FLOATING CHOPSTICKS<br>Chopsticks that don't need a chopstick rest. Since the ends are raised, the tips won't touch the table when they're set down. You may be able to kick the habit of placing your chopsticks across your plate in the middle of a meal. Dishwasher safe. Colour: Red, Pink, White, Yellow, Green Tea, Brown, Deep Purple, Navy.<br>RM39.90
FLOATING CHOPSTICKS Chopsticks that don't need a chopstick rest. Since the ends are raised, the tips won't touch the table when they're set down. You may be able to kick the habit of placing your chopsticks across your plate in the middle of a meal. Dishwasher safe. Colour: Red, Pink, White, Yellow, Green Tea, Brown, Deep Purple, Navy.


TUBE DOOR STOPPER<br>This fun little tube-shaped doorstop, though small, holds doors firmly in place. Comes in an array of colors that will appeal to various tastes.<br>RM28.90
TUBE DOOR STOPPER This fun little tube-shaped doorstop, though small, holds doors firmly in place. Comes in an array of colors that will appeal to various tastes.


ICEATTACKS!™ <br>UNIDENTIFIED FROZEN OBJECTS<br>It’s an Ice Attack! These UFO- and meteor-shaped ice cubes have popped free of their silicone ice tray in a galaxy far, far away to coldly go where no ice has gone before. Colorful giftbox packaging.<br>RM39.90





















UNIDENTIFIED FROZEN OBJECTS It’s an Ice Attack! These UFO- and meteor-shaped ice cubes have popped free of their silicone ice tray in a galaxy far, far away to coldly go where no ice has gone before. Colorful giftbox packaging.



PICK YOUR NOSE™ <br>PARTY ANIMALS<br>Calling all party animals! Here are the perfect beverage cups to let you express your inner beast! Drinking from these double-coated durable 9 ounce cups turns anybody’s nose into something WILD. Perfectly sized for both kids and adults, each clear box of Pick Your Nose/Party Animals includes 24 cups in 6 assorted animal styles.<br>RM37.90

PARTY ANIMALS Calling all party animals! Here are the perfect beverage cups to let you express your inner beast! Drinking from these double-coated durable 9 ounce cups turns anybody’s nose into something WILD. Perfectly sized for both kids and adults, each clear box of Pick Your Nose/Party Animals includes 24 cups in 6 assorted animal styles.





Cool Event Gifts

THE FILL AND CHILL SHOT GLASS MOULD Fill Cool Shooters with water or juice, freeze, and then pop out four fully-formed frozen sho...



SAP’s 2011 Sapphire Now conference in Orlando created a networking lounge on the show floor where attendees could view the keynote addresses on 18- by 60-foot screens while getting work done.
Photo: Randy Belice/SAP AG


Technology has removed the four walls that traditionally housed events in one space, at one time. Now hybrid is hot. The term has come to refer to an event that offers both an in-person component and at least some of its content live via the Internet to groups of attendees participating from organized satellite locations or to individuals at home or work. The growth of hybrid events has been driven by society’s increasing adoption of technology and also by economic factors: greater competition in the technology industry is driving costs down, coupled with reductions in corporate travel budgets.

Whether it’s a big, international conference, such as SAP’s Sapphire Now that creates elaborate broadcast studios on its show floor, or a small, internal corporate meeting that may only use one camera, the purpose of a hybrid event remains the same: to engage participants—both in-person and those attending virtually—in a meaningful experience while staying on budget.

Here are 10 production tips to keep in mind to create a successful hybrid event.

1. Quality audio is paramount. Weak sound or static will be even more annoying to remote attendees than to those in the room. “That cuts down on your engagement,” says Samuel J. Smith, C.E.O. of Interactive Meeting Technology, a Minnesota company that specializes in the design, production, and execution of interactive technology for events. Also consider whether the remote audience needs to be able to hear people other than the main presenter. “If a person asking a question doesn’t have a microphone, the virtual audience can’t hear it. That will be a big downside. They will hear some dead air and then hear the presenter answer and have no idea what he is referring to,” says Dennis Shiao, director of product marketing for INXPO, a Chicago-based company that provides online destinations for events, recruiting, training and communications.

2. Purchase enough bandwidth. Internet bandwidth determines how much data can be transmitted and at what speed; for the virtual audience it determines how your event looks and feels. Without enough bandwidth, the virtual audience will see low-quality video—the signal may drop out or require continual buffering—which can be frustrating for virtual attendees. In most cases, planners purchase bandwidth from the venue, which usually has an exclusive arrangement with a bandwidth provider. While this is not a place to skimp, look for opportunities to negotiate the cost in the same way you negotiate the cost of space. Also keep in mind that bandwidth requirements are directly related to how many sessions are being streamed at the same time: three sessions going out at once require three times as much bandwidth. Once you are on-site, verify that you are getting what you are paying for by using one of the many Web sites that offer a free, instant measurement of Internet upload and download speeds, such as InternetFrog and Bandwidth Place.

3. Determine the number and type of cameras needed. Start by determining which sessions will be streamed. For a conference with sessions in multiple rooms, planners can cut down on the number of cameras and operators needed by scheduling the sessions to be streamed at different times so the same room can be used over and over. A hybrid event needs at least one fixed camera, but (if the budget allows) multiple cameras per session are preferable because different angles and shots can help keep the virtual audience engaged. As for the type of cameras, Smith says even if your event will not be streamed in high-definition, it may be worth using high-definition cameras so videos produced from the event will be top-quality. If that is not a concern, the choice of camera can be one way to save money. “In a pinch, I used our family’s old digital video tape camcorder and it was just fine,” says Midori Connolly, C.E.O. and chief AVGirl of California-based Pulse Staging and Events, an audiovisual staging company.

4. Vendors need to communicate with one another. A hybrid event can involve multiple service providers, such as the company running the audio and video in the room, the information technology team from the venue, a webcasting provider, and possibly a virtual platform provider. “Anybody who is touching the experience needs to be talking to one another,” says John Pollard, event services program director at Sonic Foundry, a Wisconsin company that created Mediasite, a platform for hybrid events, webcasting and lecture capture. “These people need to know who the contact is for each other, then they can ask the right questions and take care of a lot of the issues [for the planner].”

5. Stream for all devices. Mobile has become increasingly important, so you’ll need to make sure your vendor’s streaming capabilities work on iOS and Android mobile devices. “You send one stream, which is a Flash stream, for desktop browsers and Android devices, but you have a second stream, which is iOS, for iPhone and iPad,” says Gregg Greenberg, director of global online marketing strategy for SAP, a German business management software company that hosts the annual Sapphire Now conference, a hybrid event with multiple satellite locations worldwide. An event’s webcasting company can create appropriate solutions to handle different types of streams.

6. Test the stream. According to Greenberg, SAP runs two tests for Sapphire Now and its other hybrid events: one the day before (optimally at the same time of day that the event will take place) and a second one about 90 minutes before the first live shot. “The live stream will be on but we will play a recorded video,” he says. “Then, about 10 to 15 minutes before the live shot, we switch to a room shot. That gives us time to fi x things.” Greenberg also recommends running at least two encoders—the equipment that compresses audio and video so it can transmit over the Internet—in case one fails.

7. Plan to engage the virtual audience. If speakers will use slides or videos in presentations, how will they be shared with the remote audience? Do they need to be prerecorded or uploaded prior to the live presentation? In an optimal situation, the audio and video are linked two ways. That is, attendees at the physical event can see and hear all of the remote audiences and vice versa. When that is not possible, due to budget or production constraints, the priority should be that all remote attendees can see and hear the physical event, and that they can submit comments and questions, usually via text or Twitter. Experts also recommend planners develop content specifically for the remote audience, which can be used to fill time when the physical event is on break and to develop camaraderie among the virtual attendees. A virtual M.C. can also help by serving as a host and guide for people participating online or from pods.

8. Make sure speakers talk to the virtual audience. Not only should all speakers be aware of the virtual audience, but they should greet them at the start of the event and several times thereafter. “One fun thing to do is to tape a smiley face to the camera to remind the speaker to address the remote audience [since] a lot of presenters are trained to not look into the camera,” Connolly says. And when a question comes in from a remote attendee, the presenter should acknowledge who and where it is from. “People love to hear their name,” Smith says. “It makes them feel good, and especially if they are home alone and they don’t have people to connect with in the hallway.”

9. You don’t have to do it all. “You will never be able to fully capture and provide the face-to-face experience to a Web audience,” Shiao says. “It’s a matter of figuring out how to properly narrow the scope.” Planners should expect that most people participating in a hybrid event prefer to allocate a few hours, not an entire day, to the experience. “Face-to-face you can keep people all day,” says Corbin Ball, a Washington-based consultant who helps clients determine how to use technology effectively for events. “With virtual or hybrid events you can’t expect people to be sitting at a monitor all day long as they would be sitting in a meeting room. So you need to provide blocks of time with white space around it.”

10. Focus on the meeting’s objectives. “The most important thing to keep in mind is figuring out what technologies make the most sense to achieve the event’s particular goals,” says Mary Boone, a Connecticut-based consultant who works with clients on organizational communication and meeting design. “A lot of times that gets lost in the excitement of experimenting with new technology.” She recalls a meeting of 200 senior association executives where planners created an app intended to be used by attendees to submit questions to the presenters, only to find that most preferred to ask questions aloud. “Whatever technology or audiovisual [equipment] you are using, all of it should be in service of making the meeting more effective, and not just for the wow factor,” Boone says.

By Mitra Sorrells | Posted May 9, 2012, 3:43 PM EDT

Hybrid Events: 10 Tips for Effective Audiovisual Presentation

SAP’s 2011 Sapphire Now conference in Orlando created a networking lounge on the show floor where attendees could view the keynote addr...

Thursday, May 31, 2012
















Parisian-style boulevard with lampposts, painted illustrations of buildings, and
trees surrounded by benches.
Photo: Nilaya Sabnis








Details for both shows from Tommy Hilfiger included gates branded with
the designer’s initials set in iron and a square-shaped brick runway bordered
with gravel and artificial maple trees.
Photo: Dimitrios Kambouris/WireImage
FROM Fashion Week: Tommy Hilfiger Builds Indoor Park February 14, 2012



Digital screens, including a retractable LED chandelier that draped the stage,
displayed images such as the Eiffel Tower emblazoned with YMCMB
(Young Money Cash Money Billionaires) logos. And 14-foot
white cherry blossom trees stood sentry.
Photo: Adrian Sidney/PictureGroup
FROM Grammy Parties: Photos From the Recording Academy, Clive Davis,
Cash Money, Belvedere, Pepsi, and More February 13, 2012


Real tree branches and miniature faux tree centerpieces were part of the garden motif.
Photo: Lucien Capehart
FROM Palm Beach Heart Ball Debuts Heart-Healthy Theme With Fruit, Vegetable
Decor February 22, 2012




With less than three hours for set up, David Beahm and his team converted
 Saks Fifth Avenue's third floor into a veritable garden of Eden.
Photo: Jeff Thomas/ImageCapture
FROM A Forest of Flora Marks Launch of Louis Vuitton's Saks Boutique
November 12, 2009



For additional seating, plush velvet couches lined both sides of the cocktail area.
Candles and small plants decorated the tops of the mirrored tables.
Photo: Nadia Chaudhury/BizBash
FROM High Line Benefit Turns Indoor Pier Into Sun-Filled Garden,
Raises $3 Million May 4, 2012





Long, communal tables and lounge-like configurations provided more relaxed
seating on the upper level. For centerpieces, the designer incorporated
square-shaped canopies, illuminated by candles that hung from the leaves in
glass cylinders. Gift bags from sponsor Cartier were placed on guest's seats
prior to the start of the event.
Photo: Nadia Chaudhury/BizBash
FROM MoMA's Party in the Garden Brings Greenery Indoors May 24, 2012

-BizBash





Bringing the Outdoors Inside

Parisian-style boulevard with lampposts, painted illustrations of buildings, and trees surrounded by benches. Photo: Nilay...

 

Best Events Blog © 2015 - Blogger Templates Designed by Templateism.com, Plugins By MyBloggerLab.com